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I don't know how many Smallville fans are still on LJ, but I thought that this interview with Al and Miles was fairly interesting:
Q: Smallville stirred up a lot of controversy with hardcore comic book fans devoted to the original. How did you guys deal with that?
AG: Like all writers — we tried to avoid it as much as possible! We stopped reading Ain’t it Cool News where we were being burned in effigy everyday, and didn’t go to the San Diego Comic-Con until Season 2.
MM: Listening to fan boys is tiring, frustrating and ultimately futile. Smallville began at the dawn of the fan-forum era — we used to scan the posts to get a sense of the general feeling, but that’s it. If we did course-correct a storyline it would be because the fans’ sentiment mirrored our own. The truth is the so-called “hardcore fans” will find fault with anything and everything. We had no interest in following the established mythology of the D.C. universe or aligning our timeline with theirs.
Q: What was the most controversial?
AG: Making Lex and Clark friends. That was a radical idea at the time, as well as casting an African American actor to play Pete Ross and a Eurasian actress to play Lana Lang. You would not believe how much flak we caught for those choices from the internet peanut gallery.
MM: Again, probably the meteor shower because it led to accusations that we over-relied on the “freak of the week” formula. We had a super-powered, crime-fighting teenager — we figured he had to battle someone every week. It’s not like sleepy Smallville was a hot bed of crime. It wouldn’t exactly be great drama if Clark was forced to use his awesome abilities to solve the case of the missing library book. I have zero regrets about that.
Q: Looking back, is there anywhere you wish you’d taken the characters of Smallville?
AG: I wish we had a better trajectory for Lana Lang. That was probably a three-season love story that lasted six seasons.
MM: It’s so torturous and slow. Ultimately, it damaged Lana in the audience’s mind. Because Clark refused to tell her the truth about his identity, he was constantly forced to lie to her. Although justified, Lana’s response to his behavior made her seem cold and unsympathetic — even though from her POV, Clark was a sneaky, bold-faced liar.
Miles also mentions that We also almost succeeded in bringing Aquaman to the small screen but were thwarted when the WB got swallowed by UPN and became the CW. The atmosphere at the new network was very hostile to Smallville and they were not open to doing another comic book series. It was all about Gossip Girl — looking back, it’s kind of amazing we survived at all.
Q: Smallville stirred up a lot of controversy with hardcore comic book fans devoted to the original. How did you guys deal with that?
AG: Like all writers — we tried to avoid it as much as possible! We stopped reading Ain’t it Cool News where we were being burned in effigy everyday, and didn’t go to the San Diego Comic-Con until Season 2.
MM: Listening to fan boys is tiring, frustrating and ultimately futile. Smallville began at the dawn of the fan-forum era — we used to scan the posts to get a sense of the general feeling, but that’s it. If we did course-correct a storyline it would be because the fans’ sentiment mirrored our own. The truth is the so-called “hardcore fans” will find fault with anything and everything. We had no interest in following the established mythology of the D.C. universe or aligning our timeline with theirs.
Q: What was the most controversial?
AG: Making Lex and Clark friends. That was a radical idea at the time, as well as casting an African American actor to play Pete Ross and a Eurasian actress to play Lana Lang. You would not believe how much flak we caught for those choices from the internet peanut gallery.
MM: Again, probably the meteor shower because it led to accusations that we over-relied on the “freak of the week” formula. We had a super-powered, crime-fighting teenager — we figured he had to battle someone every week. It’s not like sleepy Smallville was a hot bed of crime. It wouldn’t exactly be great drama if Clark was forced to use his awesome abilities to solve the case of the missing library book. I have zero regrets about that.
Q: Looking back, is there anywhere you wish you’d taken the characters of Smallville?
AG: I wish we had a better trajectory for Lana Lang. That was probably a three-season love story that lasted six seasons.
MM: It’s so torturous and slow. Ultimately, it damaged Lana in the audience’s mind. Because Clark refused to tell her the truth about his identity, he was constantly forced to lie to her. Although justified, Lana’s response to his behavior made her seem cold and unsympathetic — even though from her POV, Clark was a sneaky, bold-faced liar.
Miles also mentions that We also almost succeeded in bringing Aquaman to the small screen but were thwarted when the WB got swallowed by UPN and became the CW. The atmosphere at the new network was very hostile to Smallville and they were not open to doing another comic book series. It was all about Gossip Girl — looking back, it’s kind of amazing we survived at all.
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Date: 2014-05-05 08:57 pm (UTC)IMO they did do a better job of writing her from around season 5, but in the high school years it was just ridiculous how they set her up as one of the three leads, yet everytime they tried to give her a separate storyline (Henry Small being her father, suddenly going to Paris to study art) it always seemed so half-assed and badly thought-out. Even there Al is just talking about Lana in relation to the love story and how long that should have lasted, instead of what didn't work about Lana's character in her own right
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Date: 2014-05-06 02:07 am (UTC)(no subject)
Date: 2014-05-06 10:37 am (UTC)